Piano Quintet was commissioned by
The University of Iowa School of Music in celebration of its centennial.
The melodic, harmonic, and formal structures of the work are all informed by
the interval of a perfect fourth, used as a way of structurally offsetting key areas contrapuntally.
I exploited the interval's chameleon-like relationship to the tonic and layered closely
related key areas to create vertical configurations that are rich in timbre and melodic content.
This allowed me to adeptly move in and out of structurally significant foreign key areas.